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S. Craig Zahler

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American Guinea Pig: Bouquet of Guts and Gore (2014) Review

IMDB Review: American Guinea Pig: Bouquet of Guts and Gore (2014)

Deliberately paced vivisections are the meat of this nearly plot less gore exploration, which in quite a few ways tops the original Japanese Guinea Pig series whence it sprung. Although many will complain of the lack of dramatic content, this movie is a hideous spectacle that displays creativity in ways other than developing an interesting "plot" or "characters"...and these ways are for the most part exceedingly nasty. Some angles and films stocks and effects look more realistic than others, but most of the rough stuff plays pretty well or very well. It is no small achievement that after nearly an hour of carnage, Biro, Koch, Bebber, and company manage plumb the most disturbing depths in the final gore sequences and epilogue. 

Included are some quite memorable usages of needles, a crucifix, and branch clippers...

Saturday 10.17.15
Posted by Dallas Sonnier
 

Cryptic Plasm (2015) Review

IMDB Review: Cryptic Plasm (2015)

Another atmospheric, creative and original gem by my favorite horror director of the 21st century, Brian Paulin. More of a slow build experience than his last three movies, so be patient with this one. It contains stronger performances than in his previous outings (both Olsen & Paulin) and a stunning end sequence.

Like other Paulin movies, Cryptic Plasm is a DIY confluence of Italian Horror (especially Fulci), the Guinea Pig series, Tetsuo: Iron man, anime, and 80s horror, but in the end, his approach and varied influences yield a very distinct art. Nothing else feels quite like a Brian Paulin movie...except other Brian Paulin movies.

Like Blood Pigs, Bone Sickness, and Fetus (which is my top favorite Paulin movie), Cryptic Plasm shows things that few micro budgeted movies would dare attempt and for me these achievements in scope and vision overwhelm any and all technical flaws...and often enhance the atmosphere and personality of the piece.

Recommended to people who want to see distinct, homegrown, creative indie horror.

Saturday 07.05.14
Posted by Dallas Sonnier
 

...And Then I Helped (2010) Review

IMDB Review: ...And Then I Helped (2010)

Although Michael Todd Schneider is probably best known in the horror underground for his role as Maggot in the envelope-pushing Mordum picture in the August Underground series, his movie ...And Then I Helped is more compelling in all departments.

Surely, people who want a gorefest or an easy experience or a conventional one might be frustrated by the deliberate pace of this moody picture, and its obscured narrative, which is rather dreamlike. This isn't for everyone, though I think the artistic merit might actually appeal to people outside the hardcore gore crowd. Though yes, there is some quality splatter here.

Blurry and at times opaque, ...And Then I Helped is a visual poem---often free form with pinwheeling camera moves, odd cutaways and very over-saturated colors. It is engaging when no violence is upon the screen, though not from a character or plot standpoint as much as from the atmospherics and lush visuals and interesting angles. I'd prefer for it to have fewer edits in some of the scenes, though Schneider (also the editor) does find good rhythms most of the time. The textures, tone and trajectory had me involved for it's duration.

Reference points are things like Inland Empire, Mutilation Man, Lost Highway, Julien Donkey Boy, Easy Rider, and Natural Born Killers, as much as they are the more typical (and of course excellent) horror pictures like Texas Chainsaw Massacre and Don't Torture a Duckling. So yeah, I'm pointing to a pretty varied palette to describe what Schneider is doing, because it is unique.

Patient viewers will be rewarded: ...And I Helped is in no rush, which is part of its appeal, and it gets better as it progresses, heightening tension and atmosphere and overall interest. 

Schneider has a distinct voice and it's clear he's bringing varied influences and a lot of talent to a genre overpopulated with people who are content to simply copy the masters. I purchased a limited edition DVD directly from his site and advise others to do the same and support this talented fellow.

Monday 09.02.13
Posted by Dallas Sonnier
 

Elysium (2013) Review

IMDB Review: Elysium (2013)

*** This review may contain spoilers ***

Like the extremely overrated District 9, Elysium's lone strength is its convincing special effects and its weaknesses are in every other area. Although there is nothing as terribly stupid as the District 9 "alien blood that can bond with human DNA ... and also power spaceships," Elysium is heavy handed allegory, amped up drama and dramatically ridiculous.

Some of the ships and robots are great to look at---seeing Syd Mead's name in the credits was not a big surprise.

Since the days of Hitchcock people seemed to have forgotten that the first and most important job of a director is not to come up with 'cool visuals,' but direct actors. Ergo, the title, 'director.' 

So congrats to Blomkamp for showing me the first truly terrible Jodie Foster performance. It's like he showed her a 1960s spider-man cartoon and said, 'like this but bigger.' And a lot of her work was dubbed for some reason, likely accent inconsistency (even though it's still inconsistent in the end product). And i am a HUGE William Fichtner fan, but this movie also showcases his career nadir. Sometimes he seems to be imitating Data from Star Trek, other times, sort of German. And Copley as the villain...well if there is a less menacing accent than this, i haven't heard it. And he is of course, way, way over the top as he was in District 9 (though he was decent in Europa Report). Damon is the only performer whose work is credible, probably because he's a big enough star to just say no if Blomkamp wants to turn him into a screaming cartoon.

In terms of story, don't expect any science or anything other than good versus evil. Sadly, with rare exception, Hollywood science fiction movies are really just noisy action movies these days, and as a huge science fiction fan I know i'll rarely see any interesting scientific elements in these (though the movies of Duncan Jones and Kosinski do have some smart ideas and are the exceptions). So no, Elysium isn't sci-fi, but just heavy handed action movie allegory, more or less the same class warfare of District 9, so he's already retreading this theme. Then there is the would-be action centerpiece exo-skeletal suit, an idea that doesn't work at all, and isn't well sold visually. Really, as designed, this thing wouldn't work without tearing off fingers and smashing the limbs of its user, which is why most exo-skeletal designs are also armor that could shield a water-based lifeform. In any case, the actions scenes are so shaky and over cut, it's hard to see what's happening regardless. But I never had even a moment of thinking the thing actually functioned or would function.

Blomkamp clearly has a political viewpoint---one that I have no issue with at all, except that it makes his writing too pedantic and monochromatic. A strong viewpoint does not make one a good writer. Writing rich people are bad and poor people are good is not dramatically compelling to watch, even if you actually believe things are that simple. Look at the success George RR Martin is having with complex characters...Blomkamp's writing seems like that of a child by comparison. That Elysium is self-important and humorless, doesn't help.

And if Blomkamp (who clearly should not write his own movies) really understood science fiction the way actual science fiction writers do---guys like Greg Egan, JMS, Ted Chiang, Arthur C. Clarke, Greg Bear, M. John Harrison, Stephen Baxter, Larry Niven, etc.--- he would not have a future world technology where humans can be rebuilt at an atomic level in the same world as one in which robots fire guns and miss their targets. (!!!) Robots hitting their targets when they fire is near future and to some extent, current; rebuilding bodies at an atomic level (in less than a minute) is very, very, very far future, if ever. 

But like most Hollywood junk---and the similarly stupid, crazily overrated breakthrough success District 9--- Blomkamp is doing something that looks like science fiction, but isn't.

Monday 08.12.13
Posted by Dallas Sonnier
 

Sharknado (2013) Review

IMDB Review: Sharknado (2013) 

Sharknado is the very best asylum / syfy TV movie i've ever seen and actually one of the only ones to rise above a 4. i'm glad to see the best one have such success--i saw it at a midnight screening in union square new york.

i hate the term guilty pleasure, because i feel no guilt when i enjoy a movie that delivers what it promises. sharknado delivers. it does not promise existential dilemma nor poignant allegory. it promises a feature length experience centered on the concept of sharks in a tornado...and succeeds.

the only real close competition from the syfy folks is air collision, which is an incredible piling on of the unbelievable and the illogical that seems conceived of by an imaginative child. like air collision, sharknado is a commendable example of how to take one event and stretch it out to feature length, which is no easy task when the event is 'sharks in a tornado' or 'two planes are about to crash in midair.' 

amazingly, sharknado does not pad it's first act with drama minutiae, but quickly deliver some action and so the escalation of events really continues throughout the whole movie. and when the sharknado is finally glimpsed, it is actually pretty stunning to look at---certainly the zenith achievement of cg visual fx in a syfy movie. 

intentional and unintentional humor fills the movie, and there's also stuff where i can't tell if they knew it was funny or not---such as the melodramatic monologues---but i had tears pouring down at one point i was laughing so hard. and there is a coincidence towards the end that may be the single funniest and least likely coincidence in movie history.

sharknado whirls quickly from one creative set piece to another and is engaging throughout.

a solid b picture from asylum, and their finest hour. i hope to see more at this level, because i like this energetic and creative low budget picture far more than most of the 100 million dollar pieces of junk i've seen come out of Hollywood in the last few years.

Saturday 08.03.13
Posted by Dallas Sonnier
 
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